Music Streaming Market to 2027 - Global Analysis and Forecasts by Content Type ( Audio Streaming, Video Streaming ); End Use ( Commercial, Individual ); Streaming Type ( Live Streaming, On Demand Streaming ); Revenue Model ( Free and Ad Supported, Subscription Based )
Report Code: TIPRE00003356 No. of Pages: 150 Category: Technology, Media and Telecommunications Status: Upcoming
MARKET INTRODUCTION
The emerging era of streaming media delivery fuelled by cloud technologies, high-speed internet and increasing adoption of smartphones are significantly driving the global music streaming market. Since last few year music streaming market is witnessing an upsurge mostly due to the reduced cost of data. The growing consumer disposable income and high population of young and middle-aged people are creating a significant demand for the music streaming market. The subscription models are having a significant impact on the growth of global music streaming market. Vendors are offering regional specific music and original content to attract the customers and to increase the number of subscriptions.
MARKET DYNAMICS
In the music streaming market, the trend of cloud-based music is being witnessed. Moreover, vendors are developing various user-friendly applications for easy streaming if music over smartphones and tablets. With the introduction of the subscription model, on-demand streaming is witnessing a high demand from the consumer side. However, freemium models are one of the major challenges for market growth. The freemium model is hindering the market growth mostly in the price-sensitive market of Asia-Pacific.
MARKET SCOPE
The "Global Music Streaming Market Analysis to 2027" is a specialized and in-depth study of the music industry with a special focus on the global market trend analysis. The report aims to provide an overview of music streaming market with detailed market segmentation by content type, end-use, streaming type, revenue model, and geography. The global music streaming market is expected to witness high growth during the forecast period. The report provides key statistics on the market status of the leading music streaming market players and offers key trends and opportunities in the market.
MARKET SEGMENTATION
The global music streaming market is segmented on the basis of content type, end-use, streaming type, and revenue model. Based on content type, the market is segmented as audio streaming and video streaming. On the basis of end-use the market is segmented as commercial and individual. The market on the basis of streaming type, market is classified as live streaming and on-demand streaming. On the basis of revenue model, the market is segment as free & add supported and subscription based.
REGIONAL FRAMEWORK
The report provides a detailed overview of the industry including both qualitative and quantitative information. It provides overview and forecast of the global music streaming market based on various segments. It also provides market size and forecast estimates from year 2017 to 2027 with respect to five major regions, namely; North America, Europe, Asia-Pacific (APAC), Middle East and Africa (MEA) and South & Central America. The music streaming market by each region is later sub-segmented by respective countries and segments. The report covers analysis and forecast of 18 countries globally along with current trend and opportunities prevailing in the region.
The report analyzes factors affecting music streaming market from both demand and supply side and further evaluates market dynamics effecting the market during the forecast period i.e., drivers, restraints, opportunities, and future trend. The report also provides exhaustive PEST analysis for all five regions namely; North America, Europe, APAC, MEA and South & Central America after evaluating political, economic, social and technological factors effecting the music streaming market in these regions.
MARKET PLAYERS
The reports cover key developments in the music streaming market as organic and inorganic growth strategies. Various companies are focusing on organic growth strategies such as product launches, product approvals and others such as patents and events. Inorganic growth strategies activities witnessed in the market were acquisitions, and partnership & collaborations. These activities have paved way for expansion of business and customer base of market players. The market payers from music streaming market are anticipated to lucrative growth opportunities in the future with the rising demand for music streaming in the global market. Below mentioned is the list of few companies engaged in the music streaming market.
The report also includes the profiles of key music streaming companies along with their SWOT analysis and market strategies. In addition, the report focuses on leading industry players with information such as company profiles, components and services offered, financial information of last 3 years, key development in past five years.
The emerging era of streaming media delivery fuelled by cloud technologies, high-speed internet and increasing adoption of smartphones are significantly driving the global music streaming market. Since last few year music streaming market is witnessing an upsurge mostly due to the reduced cost of data. The growing consumer disposable income and high population of young and middle-aged people are creating a significant demand for the music streaming market. The subscription models are having a significant impact on the growth of global music streaming market. Vendors are offering regional specific music and original content to attract the customers and to increase the number of subscriptions.
MARKET DYNAMICS
In the music streaming market, the trend of cloud-based music is being witnessed. Moreover, vendors are developing various user-friendly applications for easy streaming if music over smartphones and tablets. With the introduction of the subscription model, on-demand streaming is witnessing a high demand from the consumer side. However, freemium models are one of the major challenges for market growth. The freemium model is hindering the market growth mostly in the price-sensitive market of Asia-Pacific.
MARKET SCOPE
The "Global Music Streaming Market Analysis to 2027" is a specialized and in-depth study of the music industry with a special focus on the global market trend analysis. The report aims to provide an overview of music streaming market with detailed market segmentation by content type, end-use, streaming type, revenue model, and geography. The global music streaming market is expected to witness high growth during the forecast period. The report provides key statistics on the market status of the leading music streaming market players and offers key trends and opportunities in the market.
MARKET SEGMENTATION
The global music streaming market is segmented on the basis of content type, end-use, streaming type, and revenue model. Based on content type, the market is segmented as audio streaming and video streaming. On the basis of end-use the market is segmented as commercial and individual. The market on the basis of streaming type, market is classified as live streaming and on-demand streaming. On the basis of revenue model, the market is segment as free & add supported and subscription based.
REGIONAL FRAMEWORK
The report provides a detailed overview of the industry including both qualitative and quantitative information. It provides overview and forecast of the global music streaming market based on various segments. It also provides market size and forecast estimates from year 2017 to 2027 with respect to five major regions, namely; North America, Europe, Asia-Pacific (APAC), Middle East and Africa (MEA) and South & Central America. The music streaming market by each region is later sub-segmented by respective countries and segments. The report covers analysis and forecast of 18 countries globally along with current trend and opportunities prevailing in the region.
The report analyzes factors affecting music streaming market from both demand and supply side and further evaluates market dynamics effecting the market during the forecast period i.e., drivers, restraints, opportunities, and future trend. The report also provides exhaustive PEST analysis for all five regions namely; North America, Europe, APAC, MEA and South & Central America after evaluating political, economic, social and technological factors effecting the music streaming market in these regions.
MARKET PLAYERS
The reports cover key developments in the music streaming market as organic and inorganic growth strategies. Various companies are focusing on organic growth strategies such as product launches, product approvals and others such as patents and events. Inorganic growth strategies activities witnessed in the market were acquisitions, and partnership & collaborations. These activities have paved way for expansion of business and customer base of market players. The market payers from music streaming market are anticipated to lucrative growth opportunities in the future with the rising demand for music streaming in the global market. Below mentioned is the list of few companies engaged in the music streaming market.
The report also includes the profiles of key music streaming companies along with their SWOT analysis and market strategies. In addition, the report focuses on leading industry players with information such as company profiles, components and services offered, financial information of last 3 years, key development in past five years.
- Amazon
- Apple Inc.
- Deezer
- iHeartMedia, Inc.
- JOOX
- Pandora Media, Inc.
- SoundCloud
- Spotify
- TIDAL
TABLE OF CONTENTS
INTRODUCTION
1.1. SCOPE OF THE STUDY
1.2. THE INSIGHT PARTNERS RESEARCH REPORT GUIDANCE
1.3. MARKET SEGMENTATION
1.3.1 Music Streaming Market - By Content Type
1.3.2 Music Streaming Market - By End Use
1.3.3 Music Streaming Market - By Streaming Type
1.3.4 Music Streaming Market - By Revenue Model
1.3.5 Music Streaming Market - By Region
1.3.5.1 By Country
2. KEY TAKEWAYS
3. RESEARCH METHODOLOGY
4. MUSIC STREAMING MARKET LANDSCAPE
4.1. OVERVIEW
4.2. PEST ANALYSIS
4.3.1 North America - Pest Analysis
4.3.2 Europe - Pest Analysis
4.3.3 Asia-Pacific - Pest Analysis
4.3.4 Middle East and Africa - Pest Analysis
4.3.5 South and Central America - Pest Analysis
4.3. ECOSYSTEM ANALYSIS
5. MUSIC STREAMING MARKET - KEY MARKET DYNAMICS
5.1. KEY MARKET DRIVERS
5.2. KEY MARKET RESTRAINTS
5.3. KEY MARKET OPPORTUNITIES
5.4. FUTURE TRENDS
5.5. IMPACT ANALYSIS OF DRIVERS, RESTRAINTS & EXPECTED INFLUENCE OF COVID-19 PANDEMIC
6. MUSIC STREAMING MARKET - GLOBAL MARKET ANALYSIS
6.1. MUSIC STREAMING - GLOBAL MARKET OVERVIEW
6.2. MUSIC STREAMING - GLOBAL MARKET AND FORECAST TO 2027
6.3. MARKET POSITIONING/MARKET SHARE
7. MUSIC STREAMING MARKET - REVENUE AND FORECASTS TO 2027 - CONTENT TYPE
7.1. OVERVIEW
7.2. CONTENT TYPE MARKET FORECASTS AND ANALYSIS
7.3. AUDIO STREAMING
7.3.1. Overview
7.3.2. Audio Streaming Market Forecast and Analysis
7.4. VIDEO STREAMING
7.4.1. Overview
7.4.2. Video Streaming Market Forecast and Analysis
8. MUSIC STREAMING MARKET - REVENUE AND FORECASTS TO 2027 - END USE
8.1. OVERVIEW
8.2. END USE MARKET FORECASTS AND ANALYSIS
8.3. COMMERCIAL
8.3.1. Overview
8.3.2. Commercial Market Forecast and Analysis
8.4. INDIVIDUAL
8.4.1. Overview
8.4.2. Individual Market Forecast and Analysis
9. MUSIC STREAMING MARKET - REVENUE AND FORECASTS TO 2027 - STREAMING TYPE
9.1. OVERVIEW
9.2. STREAMING TYPE MARKET FORECASTS AND ANALYSIS
9.3. LIVE STREAMING
9.3.1. Overview
9.3.2. Live Streaming Market Forecast and Analysis
9.4. ON DEMAND STREAMING
9.4.1. Overview
9.4.2. On Demand Streaming Market Forecast and Analysis
10. MUSIC STREAMING MARKET - REVENUE AND FORECASTS TO 2027 - REVENUE MODEL
10.1. OVERVIEW
10.2. REVENUE MODEL MARKET FORECASTS AND ANALYSIS
10.3. FREE AND AD SUPPORTED
10.3.1. Overview
10.3.2. Free and Ad Supported Market Forecast and Analysis
10.4. SUBSCRIPTION BASED
10.4.1. Overview
10.4.2. Subscription Based Market Forecast and Analysis
11. MUSIC STREAMING MARKET REVENUE AND FORECASTS TO 2027 - GEOGRAPHICAL ANALYSIS
11.1. NORTH AMERICA
11.1.1 North America Music Streaming Market Overview
11.1.2 North America Music Streaming Market Forecasts and Analysis
11.1.3 North America Market Forecasts and Analysis - By Content Type
11.1.4 North America Market Forecasts and Analysis - By End Use
11.1.5 North America Market Forecasts and Analysis - By Streaming Type
11.1.6 North America Market Forecasts and Analysis - By Revenue Model
11.1.7 North America Market Forecasts and Analysis - By Countries
11.1.7.1 United States Market
11.1.7.1.1 United States Market by Content Type
11.1.7.1.2 United States Market by End Use
11.1.7.1.3 United States Market by Streaming Type
11.1.7.1.4 United States Market by Revenue Model
11.1.7.2 Canada Market
11.1.7.2.1 Canada Market by Content Type
11.1.7.2.2 Canada Market by End Use
11.1.7.2.3 Canada Market by Streaming Type
11.1.7.2.4 Canada Market by Revenue Model
11.1.7.3 Mexico Market
11.1.7.3.1 Mexico Market by Content Type
11.1.7.3.2 Mexico Market by End Use
11.1.7.3.3 Mexico Market by Streaming Type
11.1.7.3.4 Mexico Market by Revenue Model
11.2. EUROPE
11.2.1 Europe Music Streaming Market Overview
11.2.2 Europe Music Streaming Market Forecasts and Analysis
11.2.3 Europe Market Forecasts and Analysis - By Content Type
11.2.4 Europe Market Forecasts and Analysis - By End Use
11.2.5 Europe Market Forecasts and Analysis - By Streaming Type
11.2.6 Europe Market Forecasts and Analysis - By Revenue Model
11.2.7 Europe Market Forecasts and Analysis - By Countries
11.2.7.1 Germany Market
11.2.7.1.1 Germany Market by Content Type
11.2.7.1.2 Germany Market by End Use
11.2.7.1.3 Germany Market by Streaming Type
11.2.7.1.4 Germany Market by Revenue Model
11.2.7.2 France Market
11.2.7.2.1 France Market by Content Type
11.2.7.2.2 France Market by End Use
11.2.7.2.3 France Market by Streaming Type
11.2.7.2.4 France Market by Revenue Model
11.2.7.3 Italy Market
11.2.7.3.1 Italy Market by Content Type
11.2.7.3.2 Italy Market by End Use
11.2.7.3.3 Italy Market by Streaming Type
11.2.7.3.4 Italy Market by Revenue Model
11.2.7.4 Spain Market
11.2.7.4.1 Spain Market by Content Type
11.2.7.4.2 Spain Market by End Use
11.2.7.4.3 Spain Market by Streaming Type
11.2.7.4.4 Spain Market by Revenue Model
11.2.7.5 United Kingdom Market
11.2.7.5.1 United Kingdom Market by Content Type
11.2.7.5.2 United Kingdom Market by End Use
11.2.7.5.3 United Kingdom Market by Streaming Type
11.2.7.5.4 United Kingdom Market by Revenue Model
11.2.7.6 Rest of Europe Market
11.2.7.6.1 Rest of Europe Market by Content Type
11.2.7.6.2 Rest of Europe Market by End Use
11.2.7.6.3 Rest of Europe Market by Streaming Type
11.2.7.6.4 Rest of Europe Market by Revenue Model
11.3. ASIA-PACIFIC
11.3.1 Asia-Pacific Music Streaming Market Overview
11.3.2 Asia-Pacific Music Streaming Market Forecasts and Analysis
11.3.3 Asia-Pacific Market Forecasts and Analysis - By Content Type
11.3.4 Asia-Pacific Market Forecasts and Analysis - By End Use
11.3.5 Asia-Pacific Market Forecasts and Analysis - By Streaming Type
11.3.6 Asia-Pacific Market Forecasts and Analysis - By Revenue Model
11.3.7 Asia-Pacific Market Forecasts and Analysis - By Countries
11.3.7.1 Australia Market
11.3.7.1.1 Australia Market by Content Type
11.3.7.1.2 Australia Market by End Use
11.3.7.1.3 Australia Market by Streaming Type
11.3.7.1.4 Australia Market by Revenue Model
11.3.7.2 China Market
11.3.7.2.1 China Market by Content Type
11.3.7.2.2 China Market by End Use
11.3.7.2.3 China Market by Streaming Type
11.3.7.2.4 China Market by Revenue Model
11.3.7.3 India Market
11.3.7.3.1 India Market by Content Type
11.3.7.3.2 India Market by End Use
11.3.7.3.3 India Market by Streaming Type
11.3.7.3.4 India Market by Revenue Model
11.3.7.4 Japan Market
11.3.7.4.1 Japan Market by Content Type
11.3.7.4.2 Japan Market by End Use
11.3.7.4.3 Japan Market by Streaming Type
11.3.7.4.4 Japan Market by Revenue Model
11.3.7.5 South Korea Market
11.3.7.5.1 South Korea Market by Content Type
11.3.7.5.2 South Korea Market by End Use
11.3.7.5.3 South Korea Market by Streaming Type
11.3.7.5.4 South Korea Market by Revenue Model
11.3.7.6 Rest of Asia-Pacific Market
11.3.7.6.1 Rest of Asia-Pacific Market by Content Type
11.3.7.6.2 Rest of Asia-Pacific Market by End Use
11.3.7.6.3 Rest of Asia-Pacific Market by Streaming Type
11.3.7.6.4 Rest of Asia-Pacific Market by Revenue Model
11.4. MIDDLE EAST AND AFRICA
11.4.1 Middle East and Africa Music Streaming Market Overview
11.4.2 Middle East and Africa Music Streaming Market Forecasts and Analysis
11.4.3 Middle East and Africa Market Forecasts and Analysis - By Content Type
11.4.4 Middle East and Africa Market Forecasts and Analysis - By End Use
11.4.5 Middle East and Africa Market Forecasts and Analysis - By Streaming Type
11.4.6 Middle East and Africa Market Forecasts and Analysis - By Revenue Model
11.4.7 Middle East and Africa Market Forecasts and Analysis - By Countries
11.4.7.1 South Africa Market
11.4.7.1.1 South Africa Market by Content Type
11.4.7.1.2 South Africa Market by End Use
11.4.7.1.3 South Africa Market by Streaming Type
11.4.7.1.4 South Africa Market by Revenue Model
11.4.7.2 Saudi Arabia Market
11.4.7.2.1 Saudi Arabia Market by Content Type
11.4.7.2.2 Saudi Arabia Market by End Use
11.4.7.2.3 Saudi Arabia Market by Streaming Type
11.4.7.2.4 Saudi Arabia Market by Revenue Model
11.4.7.3 U.A.E Market
11.4.7.3.1 U.A.E Market by Content Type
11.4.7.3.2 U.A.E Market by End Use
11.4.7.3.3 U.A.E Market by Streaming Type
11.4.7.3.4 U.A.E Market by Revenue Model
11.4.7.4 Rest of Middle East and Africa Market
11.4.7.4.1 Rest of Middle East and Africa Market by Content Type
11.4.7.4.2 Rest of Middle East and Africa Market by End Use
11.4.7.4.3 Rest of Middle East and Africa Market by Streaming Type
11.4.7.4.4 Rest of Middle East and Africa Market by Revenue Model
11.5. SOUTH AND CENTRAL AMERICA
11.5.1 South and Central America Music Streaming Market Overview
11.5.2 South and Central America Music Streaming Market Forecasts and Analysis
11.5.3 South and Central America Market Forecasts and Analysis - By Content Type
11.5.4 South and Central America Market Forecasts and Analysis - By End Use
11.5.5 South and Central America Market Forecasts and Analysis - By Streaming Type
11.5.6 South and Central America Market Forecasts and Analysis - By Revenue Model
11.5.7 South and Central America Market Forecasts and Analysis - By Countries
11.5.7.1 Brazil Market
11.5.7.1.1 Brazil Market by Content Type
11.5.7.1.2 Brazil Market by End Use
11.5.7.1.3 Brazil Market by Streaming Type
11.5.7.1.4 Brazil Market by Revenue Model
11.5.7.2 Argentina Market
11.5.7.2.1 Argentina Market by Content Type
11.5.7.2.2 Argentina Market by End Use
11.5.7.2.3 Argentina Market by Streaming Type
11.5.7.2.4 Argentina Market by Revenue Model
11.5.7.3 Rest of South and Central America Market
11.5.7.3.1 Rest of South and Central America Market by Content Type
11.5.7.3.2 Rest of South and Central America Market by End Use
11.5.7.3.3 Rest of South and Central America Market by Streaming Type
11.5.7.3.4 Rest of South and Central America Market by Revenue Model
12. INDUSTRY LANDSCAPE
12.1. MERGERS AND ACQUISITIONS
12.2. AGREEMENTS, COLLABORATIONS AND JOIN VENTURES
12.3. NEW PRODUCT LAUNCHES
12.4. EXPANSIONS AND OTHER STRATEGIC DEVELOPMENTS
13. MUSIC STREAMING MARKET, KEY COMPANY PROFILES
13.1. AMAZON
13.1.1. Key Facts
13.1.2. Business Description
13.1.3. Products and Services
13.1.4. Financial Overview
13.1.5. SWOT Analysis
13.1.6. Key Developments
13.2. APPLE INC.
13.2.1. Key Facts
13.2.2. Business Description
13.2.3. Products and Services
13.2.4. Financial Overview
13.2.5. SWOT Analysis
13.2.6. Key Developments
13.3. DEEZER
13.3.1. Key Facts
13.3.2. Business Description
13.3.3. Products and Services
13.3.4. Financial Overview
13.3.5. SWOT Analysis
13.3.6. Key Developments
13.4. GOOGLE
13.4.1. Key Facts
13.4.2. Business Description
13.4.3. Products and Services
13.4.4. Financial Overview
13.4.5. SWOT Analysis
13.4.6. Key Developments
13.5. IHEARTMEDIA, INC.
13.5.1. Key Facts
13.5.2. Business Description
13.5.3. Products and Services
13.5.4. Financial Overview
13.5.5. SWOT Analysis
13.5.6. Key Developments
13.6. JOOX
13.6.1. Key Facts
13.6.2. Business Description
13.6.3. Products and Services
13.6.4. Financial Overview
13.6.5. SWOT Analysis
13.6.6. Key Developments
13.7. PANDORA MEDIA, INC.
13.7.1. Key Facts
13.7.2. Business Description
13.7.3. Products and Services
13.7.4. Financial Overview
13.7.5. SWOT Analysis
13.7.6. Key Developments
13.8. SOUNDCLOUD
13.8.1. Key Facts
13.8.2. Business Description
13.8.3. Products and Services
13.8.4. Financial Overview
13.8.5. SWOT Analysis
13.8.6. Key Developments
13.9. SPOTIFY
13.9.1. Key Facts
13.9.2. Business Description
13.9.3. Products and Services
13.9.4. Financial Overview
13.9.5. SWOT Analysis
13.9.6. Key Developments
13.10. TIDAL
13.10.1. Key Facts
13.10.2. Business Description
13.10.3. Products and Services
13.10.4. Financial Overview
13.10.5. SWOT Analysis
13.10.6. Key Developments
14. APPENDIX
14.1. ABOUT THE INSIGHT PARTNERS
14.2. GLOSSARY OF TERMS
INTRODUCTION
1.1. SCOPE OF THE STUDY
1.2. THE INSIGHT PARTNERS RESEARCH REPORT GUIDANCE
1.3. MARKET SEGMENTATION
1.3.1 Music Streaming Market - By Content Type
1.3.2 Music Streaming Market - By End Use
1.3.3 Music Streaming Market - By Streaming Type
1.3.4 Music Streaming Market - By Revenue Model
1.3.5 Music Streaming Market - By Region
1.3.5.1 By Country
2. KEY TAKEWAYS
3. RESEARCH METHODOLOGY
4. MUSIC STREAMING MARKET LANDSCAPE
4.1. OVERVIEW
4.2. PEST ANALYSIS
4.3.1 North America - Pest Analysis
4.3.2 Europe - Pest Analysis
4.3.3 Asia-Pacific - Pest Analysis
4.3.4 Middle East and Africa - Pest Analysis
4.3.5 South and Central America - Pest Analysis
4.3. ECOSYSTEM ANALYSIS
5. MUSIC STREAMING MARKET - KEY MARKET DYNAMICS
5.1. KEY MARKET DRIVERS
5.2. KEY MARKET RESTRAINTS
5.3. KEY MARKET OPPORTUNITIES
5.4. FUTURE TRENDS
5.5. IMPACT ANALYSIS OF DRIVERS, RESTRAINTS & EXPECTED INFLUENCE OF COVID-19 PANDEMIC
6. MUSIC STREAMING MARKET - GLOBAL MARKET ANALYSIS
6.1. MUSIC STREAMING - GLOBAL MARKET OVERVIEW
6.2. MUSIC STREAMING - GLOBAL MARKET AND FORECAST TO 2027
6.3. MARKET POSITIONING/MARKET SHARE
7. MUSIC STREAMING MARKET - REVENUE AND FORECASTS TO 2027 - CONTENT TYPE
7.1. OVERVIEW
7.2. CONTENT TYPE MARKET FORECASTS AND ANALYSIS
7.3. AUDIO STREAMING
7.3.1. Overview
7.3.2. Audio Streaming Market Forecast and Analysis
7.4. VIDEO STREAMING
7.4.1. Overview
7.4.2. Video Streaming Market Forecast and Analysis
8. MUSIC STREAMING MARKET - REVENUE AND FORECASTS TO 2027 - END USE
8.1. OVERVIEW
8.2. END USE MARKET FORECASTS AND ANALYSIS
8.3. COMMERCIAL
8.3.1. Overview
8.3.2. Commercial Market Forecast and Analysis
8.4. INDIVIDUAL
8.4.1. Overview
8.4.2. Individual Market Forecast and Analysis
9. MUSIC STREAMING MARKET - REVENUE AND FORECASTS TO 2027 - STREAMING TYPE
9.1. OVERVIEW
9.2. STREAMING TYPE MARKET FORECASTS AND ANALYSIS
9.3. LIVE STREAMING
9.3.1. Overview
9.3.2. Live Streaming Market Forecast and Analysis
9.4. ON DEMAND STREAMING
9.4.1. Overview
9.4.2. On Demand Streaming Market Forecast and Analysis
10. MUSIC STREAMING MARKET - REVENUE AND FORECASTS TO 2027 - REVENUE MODEL
10.1. OVERVIEW
10.2. REVENUE MODEL MARKET FORECASTS AND ANALYSIS
10.3. FREE AND AD SUPPORTED
10.3.1. Overview
10.3.2. Free and Ad Supported Market Forecast and Analysis
10.4. SUBSCRIPTION BASED
10.4.1. Overview
10.4.2. Subscription Based Market Forecast and Analysis
11. MUSIC STREAMING MARKET REVENUE AND FORECASTS TO 2027 - GEOGRAPHICAL ANALYSIS
11.1. NORTH AMERICA
11.1.1 North America Music Streaming Market Overview
11.1.2 North America Music Streaming Market Forecasts and Analysis
11.1.3 North America Market Forecasts and Analysis - By Content Type
11.1.4 North America Market Forecasts and Analysis - By End Use
11.1.5 North America Market Forecasts and Analysis - By Streaming Type
11.1.6 North America Market Forecasts and Analysis - By Revenue Model
11.1.7 North America Market Forecasts and Analysis - By Countries
11.1.7.1 United States Market
11.1.7.1.1 United States Market by Content Type
11.1.7.1.2 United States Market by End Use
11.1.7.1.3 United States Market by Streaming Type
11.1.7.1.4 United States Market by Revenue Model
11.1.7.2 Canada Market
11.1.7.2.1 Canada Market by Content Type
11.1.7.2.2 Canada Market by End Use
11.1.7.2.3 Canada Market by Streaming Type
11.1.7.2.4 Canada Market by Revenue Model
11.1.7.3 Mexico Market
11.1.7.3.1 Mexico Market by Content Type
11.1.7.3.2 Mexico Market by End Use
11.1.7.3.3 Mexico Market by Streaming Type
11.1.7.3.4 Mexico Market by Revenue Model
11.2. EUROPE
11.2.1 Europe Music Streaming Market Overview
11.2.2 Europe Music Streaming Market Forecasts and Analysis
11.2.3 Europe Market Forecasts and Analysis - By Content Type
11.2.4 Europe Market Forecasts and Analysis - By End Use
11.2.5 Europe Market Forecasts and Analysis - By Streaming Type
11.2.6 Europe Market Forecasts and Analysis - By Revenue Model
11.2.7 Europe Market Forecasts and Analysis - By Countries
11.2.7.1 Germany Market
11.2.7.1.1 Germany Market by Content Type
11.2.7.1.2 Germany Market by End Use
11.2.7.1.3 Germany Market by Streaming Type
11.2.7.1.4 Germany Market by Revenue Model
11.2.7.2 France Market
11.2.7.2.1 France Market by Content Type
11.2.7.2.2 France Market by End Use
11.2.7.2.3 France Market by Streaming Type
11.2.7.2.4 France Market by Revenue Model
11.2.7.3 Italy Market
11.2.7.3.1 Italy Market by Content Type
11.2.7.3.2 Italy Market by End Use
11.2.7.3.3 Italy Market by Streaming Type
11.2.7.3.4 Italy Market by Revenue Model
11.2.7.4 Spain Market
11.2.7.4.1 Spain Market by Content Type
11.2.7.4.2 Spain Market by End Use
11.2.7.4.3 Spain Market by Streaming Type
11.2.7.4.4 Spain Market by Revenue Model
11.2.7.5 United Kingdom Market
11.2.7.5.1 United Kingdom Market by Content Type
11.2.7.5.2 United Kingdom Market by End Use
11.2.7.5.3 United Kingdom Market by Streaming Type
11.2.7.5.4 United Kingdom Market by Revenue Model
11.2.7.6 Rest of Europe Market
11.2.7.6.1 Rest of Europe Market by Content Type
11.2.7.6.2 Rest of Europe Market by End Use
11.2.7.6.3 Rest of Europe Market by Streaming Type
11.2.7.6.4 Rest of Europe Market by Revenue Model
11.3. ASIA-PACIFIC
11.3.1 Asia-Pacific Music Streaming Market Overview
11.3.2 Asia-Pacific Music Streaming Market Forecasts and Analysis
11.3.3 Asia-Pacific Market Forecasts and Analysis - By Content Type
11.3.4 Asia-Pacific Market Forecasts and Analysis - By End Use
11.3.5 Asia-Pacific Market Forecasts and Analysis - By Streaming Type
11.3.6 Asia-Pacific Market Forecasts and Analysis - By Revenue Model
11.3.7 Asia-Pacific Market Forecasts and Analysis - By Countries
11.3.7.1 Australia Market
11.3.7.1.1 Australia Market by Content Type
11.3.7.1.2 Australia Market by End Use
11.3.7.1.3 Australia Market by Streaming Type
11.3.7.1.4 Australia Market by Revenue Model
11.3.7.2 China Market
11.3.7.2.1 China Market by Content Type
11.3.7.2.2 China Market by End Use
11.3.7.2.3 China Market by Streaming Type
11.3.7.2.4 China Market by Revenue Model
11.3.7.3 India Market
11.3.7.3.1 India Market by Content Type
11.3.7.3.2 India Market by End Use
11.3.7.3.3 India Market by Streaming Type
11.3.7.3.4 India Market by Revenue Model
11.3.7.4 Japan Market
11.3.7.4.1 Japan Market by Content Type
11.3.7.4.2 Japan Market by End Use
11.3.7.4.3 Japan Market by Streaming Type
11.3.7.4.4 Japan Market by Revenue Model
11.3.7.5 South Korea Market
11.3.7.5.1 South Korea Market by Content Type
11.3.7.5.2 South Korea Market by End Use
11.3.7.5.3 South Korea Market by Streaming Type
11.3.7.5.4 South Korea Market by Revenue Model
11.3.7.6 Rest of Asia-Pacific Market
11.3.7.6.1 Rest of Asia-Pacific Market by Content Type
11.3.7.6.2 Rest of Asia-Pacific Market by End Use
11.3.7.6.3 Rest of Asia-Pacific Market by Streaming Type
11.3.7.6.4 Rest of Asia-Pacific Market by Revenue Model
11.4. MIDDLE EAST AND AFRICA
11.4.1 Middle East and Africa Music Streaming Market Overview
11.4.2 Middle East and Africa Music Streaming Market Forecasts and Analysis
11.4.3 Middle East and Africa Market Forecasts and Analysis - By Content Type
11.4.4 Middle East and Africa Market Forecasts and Analysis - By End Use
11.4.5 Middle East and Africa Market Forecasts and Analysis - By Streaming Type
11.4.6 Middle East and Africa Market Forecasts and Analysis - By Revenue Model
11.4.7 Middle East and Africa Market Forecasts and Analysis - By Countries
11.4.7.1 South Africa Market
11.4.7.1.1 South Africa Market by Content Type
11.4.7.1.2 South Africa Market by End Use
11.4.7.1.3 South Africa Market by Streaming Type
11.4.7.1.4 South Africa Market by Revenue Model
11.4.7.2 Saudi Arabia Market
11.4.7.2.1 Saudi Arabia Market by Content Type
11.4.7.2.2 Saudi Arabia Market by End Use
11.4.7.2.3 Saudi Arabia Market by Streaming Type
11.4.7.2.4 Saudi Arabia Market by Revenue Model
11.4.7.3 U.A.E Market
11.4.7.3.1 U.A.E Market by Content Type
11.4.7.3.2 U.A.E Market by End Use
11.4.7.3.3 U.A.E Market by Streaming Type
11.4.7.3.4 U.A.E Market by Revenue Model
11.4.7.4 Rest of Middle East and Africa Market
11.4.7.4.1 Rest of Middle East and Africa Market by Content Type
11.4.7.4.2 Rest of Middle East and Africa Market by End Use
11.4.7.4.3 Rest of Middle East and Africa Market by Streaming Type
11.4.7.4.4 Rest of Middle East and Africa Market by Revenue Model
11.5. SOUTH AND CENTRAL AMERICA
11.5.1 South and Central America Music Streaming Market Overview
11.5.2 South and Central America Music Streaming Market Forecasts and Analysis
11.5.3 South and Central America Market Forecasts and Analysis - By Content Type
11.5.4 South and Central America Market Forecasts and Analysis - By End Use
11.5.5 South and Central America Market Forecasts and Analysis - By Streaming Type
11.5.6 South and Central America Market Forecasts and Analysis - By Revenue Model
11.5.7 South and Central America Market Forecasts and Analysis - By Countries
11.5.7.1 Brazil Market
11.5.7.1.1 Brazil Market by Content Type
11.5.7.1.2 Brazil Market by End Use
11.5.7.1.3 Brazil Market by Streaming Type
11.5.7.1.4 Brazil Market by Revenue Model
11.5.7.2 Argentina Market
11.5.7.2.1 Argentina Market by Content Type
11.5.7.2.2 Argentina Market by End Use
11.5.7.2.3 Argentina Market by Streaming Type
11.5.7.2.4 Argentina Market by Revenue Model
11.5.7.3 Rest of South and Central America Market
11.5.7.3.1 Rest of South and Central America Market by Content Type
11.5.7.3.2 Rest of South and Central America Market by End Use
11.5.7.3.3 Rest of South and Central America Market by Streaming Type
11.5.7.3.4 Rest of South and Central America Market by Revenue Model
12. INDUSTRY LANDSCAPE
12.1. MERGERS AND ACQUISITIONS
12.2. AGREEMENTS, COLLABORATIONS AND JOIN VENTURES
12.3. NEW PRODUCT LAUNCHES
12.4. EXPANSIONS AND OTHER STRATEGIC DEVELOPMENTS
13. MUSIC STREAMING MARKET, KEY COMPANY PROFILES
13.1. AMAZON
13.1.1. Key Facts
13.1.2. Business Description
13.1.3. Products and Services
13.1.4. Financial Overview
13.1.5. SWOT Analysis
13.1.6. Key Developments
13.2. APPLE INC.
13.2.1. Key Facts
13.2.2. Business Description
13.2.3. Products and Services
13.2.4. Financial Overview
13.2.5. SWOT Analysis
13.2.6. Key Developments
13.3. DEEZER
13.3.1. Key Facts
13.3.2. Business Description
13.3.3. Products and Services
13.3.4. Financial Overview
13.3.5. SWOT Analysis
13.3.6. Key Developments
13.4. GOOGLE
13.4.1. Key Facts
13.4.2. Business Description
13.4.3. Products and Services
13.4.4. Financial Overview
13.4.5. SWOT Analysis
13.4.6. Key Developments
13.5. IHEARTMEDIA, INC.
13.5.1. Key Facts
13.5.2. Business Description
13.5.3. Products and Services
13.5.4. Financial Overview
13.5.5. SWOT Analysis
13.5.6. Key Developments
13.6. JOOX
13.6.1. Key Facts
13.6.2. Business Description
13.6.3. Products and Services
13.6.4. Financial Overview
13.6.5. SWOT Analysis
13.6.6. Key Developments
13.7. PANDORA MEDIA, INC.
13.7.1. Key Facts
13.7.2. Business Description
13.7.3. Products and Services
13.7.4. Financial Overview
13.7.5. SWOT Analysis
13.7.6. Key Developments
13.8. SOUNDCLOUD
13.8.1. Key Facts
13.8.2. Business Description
13.8.3. Products and Services
13.8.4. Financial Overview
13.8.5. SWOT Analysis
13.8.6. Key Developments
13.9. SPOTIFY
13.9.1. Key Facts
13.9.2. Business Description
13.9.3. Products and Services
13.9.4. Financial Overview
13.9.5. SWOT Analysis
13.9.6. Key Developments
13.10. TIDAL
13.10.1. Key Facts
13.10.2. Business Description
13.10.3. Products and Services
13.10.4. Financial Overview
13.10.5. SWOT Analysis
13.10.6. Key Developments
14. APPENDIX
14.1. ABOUT THE INSIGHT PARTNERS
14.2. GLOSSARY OF TERMS
The List of Companies
1. Amazon
2. Apple Inc.
3. Deezer
4. Google
5. iHeartMedia, Inc.
6. JOOX
7. Pandora Media, Inc.
8. SoundCloud
9. Spotify
10. TIDAL
1. Amazon
2. Apple Inc.
3. Deezer
4. Google
5. iHeartMedia, Inc.
6. JOOX
7. Pandora Media, Inc.
8. SoundCloud
9. Spotify
10. TIDAL